FEVER AND FAITH

 “It is difficult to see the picture when you are inside of the frame.” - Author Unknown

Now the stars are gone too and I have grown up, I have kept going. I am too honest like those stars, to keep reappearing like trains and moons and rains do. I’ll make it. I know this. You know this too – whomsoever being is possessing me. I think there are many. Even the trees breathe, up and down they go, their branches rising and falling in dark peace. 

And all I ask is the truth. Freedom from my own demons, the demons that allow me to work, and keep going, keep doing whatever it is that I can do. I am doing it. I want the paper and pens. 

Who uses them anymore? What happened to these archaic things? People use them for grocery lists, and I use them for magic. Is there still magic in the world? The moon is big, the moans are loud, the magic is all but wasted on souls. I only want to rise higher and better. To rise better. That is my choice, with gravity. That is my moon.


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SCRIPTING THE UNSCRIPTED

“We can call ‘beautiful’ only that which suggests the existence of an ideal order; supra-terrestrial, harmonious and logical that yet bears within itself, like the brand of an original sin, the drop of poison, the rogue element of incoherence, the grain of sand that will foul up the entire system.”Charles Baudelaire

Girl 013 by ZSO – Sara Blake

I wanted to share this with you tonight. It’s a piece of writing I unearthed recently, written the day after my birthday last year. I was exploring the usual Proustian and Heideggarian ruminations on being and time which tend to come through me with unrelenting stamina when in that European countryside.

I wrote it as… “the train propels through the countryside of midwestern France. I am left. I have gone. I am on my way home. I am constantly attempting to feel at home wherever I am, and yet I know this week in France has tested me, brought me to my limits. It is a relief to play my own music, to be listening to the encouragements and conversations between my own ears, to be noticing what I notice, to have the space to notice those experiences.

Last night I thanked one of my oldest school friend for coming with me on a ride with bicycles out into the paddocks and fields which surround that beehive of a house. We rode all the way out of the town and back again, before finding a dirt road and deciding to take a detour, to adventure. He spotted the sunflower field. We lay our bikes on the edge of the grass growing up on a mound beside the space and climbed into the supra-terrestrial land of sunflowers of all manner of sizes.

It seems that the unscripted moments between moments are what we all search for, long for, dream of, and even attempt to script for ourselves. To script the unscripted. How does one do that? My friend and I stood in the edges of that sunflower field as the world got cooler and the sky darkened towards a European night. It was 9:38pm and we were late for dinner on my birthday. I knew that. Just a few more minutes, please, I begged myself.

Something in me, the noticer, the watcher, wanted so very much to stay. The noticer does not force, either. The noticer asks. Just like a child, the noticer asks directly, and we either acquiesce or deny, force indifferently or lavish lovingly. It tends to depend on what we ‘feel like’, ‘should do’ or expect of ourselves. No, it is the evening of my birthday, I said to my soul. We need to return soon. No, look how beautiful it is. You want to lie down. You want to run through them. These faces, these sun flowers, you want to look into their black eyes and see the universe. You want to talk to them and lay with them and be with the crickets and the bees. You want to learn about life.

I personify my soul just as I personify my body. They are in unison to the outside observer, and yet often to the noticer, we are in conversation. No, I don’t think you should eat that. Yes, I would like to eat that. Yes, I would like a third banana. Are you serious? Yes, the noticer says calmly. Without drama, without force. We are going to have more alcoholic drinks with your parents friends, says my intellect. No, says my soul, I would rather stay at home and be alone. But you were born on this day, this is the night of your nine thousand, four hundred and ninetieth day of being alive!

9,490 days and counting, isn’t that reason enough to pour more alcohol into your body, my brain says? Not really, my soul says, but if you say so, my soul says.

Then when we’re there with the drink in the hand, the challenge is for my soul to feel at home, comfortable, in doing what it doesn’t want to do. I believe this challenge is the root of so much suffering and discomfort: the latter comes first. First we are not at home, not comfortable, we resist, we struggle, and ergo we suffer. We are shut out, we are in the storm and we want to go inside. Be here! The brain says. We are here, you must be here too. No, says the soul, I want to go to sleep, I will wait for you while you entertain yourself and the other bodies, and I will shut down, go away, switch myself off.

The last night as I slept in France, I had a dream in which I found a button on my body with which I could ‘turn myself off.’ I woke up in a hurry – quite stressed – because I was afraid I had pushed it. I checked my chest to make sure that I was okay, that the button wasn’t pushed. I’m not ready to be turned off, I said: my mind, soul and and body in unison. Is the mind separate from the soul? How do we distinguish them? The mind is the thinking thing, the intelligence, the rational brain that organizes, delineates and rules. It rules the body. The body follows this dictum. It seems too that there is a CEO of this intelligence, operating in the form of a culturally-coloured/ consumption powered information mist that permeates our habitat, and which speaks directly to our subconscious.

It is at one level completely osmotic, particularly when in relation to the habits of consumers and in correlation to their thoughts and subsequent actions. At another level however it is fixed, controlled, and highly considered. It is controlled to the degree that through advertising and popular media, we are exposed only to X, while Y is shut away. In my culture, we are (as is now almost common knowledge) predominantly exposed to a standard of beauty in the form of homogeneity: white teeth, shiny thick hair, smooth unblemished skin, rosy lips, and comfortable smiles.

We are exposed to “fun” and “happiness”, “sociability”, “pleasure” and avoidance of pain. We busy ourselves seeking the former and avoiding the latter. We are busy not experiencing pain in the form of sadness (“You made me cry. I’ll be alright. Give me a minute”) in the form of anger, or regret (“It doesn’t really matter. Everything happens for a reason”), in the form of jealousy, vulnerability, and even extreme happiness or joy. We numb ourselves from the potential of life; disconnected from the possibility to experience life in all its manifestations. We are afraid. We feel alone. We feel sad. We are angry that we are sad. We are not allowed to feel angry for we are productive and benevolent beings! We will divorce ourselves from our emotions and power on! We will advance ourselves and our civilisation because of this! We are all powerful, we can do anything!

The emotions, the family members of the soul, are renounced, expedited, evacuated from the area, given their own dwelling place out in the wilderness of our sanitized and genetically modified beings. These emotions are, however, also viewed as a spectacle in the form of entertainment. We seek to feel emotions in our television programs, our films, our books, our pop culture magazines. We watch reality television to watch the drama of other humans being: at worst to avoid our own beingness, at best to learn how other people deal with their life. This ‘life’ of show business is not altogether ‘real life’ of course – reality television is now an artifice, a construction, a creation, a farce; a glossed over, airbrushed, edited, impactful, over exaggerated ruse for the sake of entertainment, shock value, audience numbers.

Why are we so interested in being a culture, a nation, a world of watchers?  Why do we create impact, trying to “be somebody” with the intention of being watched? Why is being watched or seen the ultimate goal, the ultimate jackpot, being the most watched? Why do we celebrate screens? Why is the screen so ubiquitous? In homes, in our pockets, in kitchens, on planes, on buses, on trains, in the back of taxis, in bars, in casinos, in the bars in casinos. In hospitals, in front of children, in offices.

What does the screen mean to us, what does it symbolize? Why are we projecting ourselves onto screens? Is this where we are aiming to live? And not in real life? “What is wrong with just being?” the Petal would say. “What is wrong with just being and not doing? What is so important about doing?” A human body might answer: “We must do because without doing we cannot be. The body cannot be without doing.”  ”Yes,” the Petal would say, “We would decay if we sat here forever not doing. But why are you afraid of being?” she would ask. “I’m am afraid of being because I am afraid I am already nothing. I am afraid that if I look inside and stop doing, I will find nothing there. I am afraid of non-existence. I am afraid of not being important, of not having a purpose. I am afraid of not counting for anything.”

“Then we are not so dissimilar,” the emotional Spirit would say, “For the emotions are volatile and loud, and we want to be seen and heard and expressed. We want to come out and connect and reconnect. We want to be out in the world, but we have no home. We know we must live in the darkness, in the jungles and the wildernesses. We know sometimes that you feel that wilderness, that you feel our love, our pain, our vibration, our energy, our strength, our ‘is-ness’. We are. We exist. We exist by the very nature of our being,” the Spirit would explain. “Because we express, we are. But – we are still cut off, cut off from the productive world and we are afraid that if we weren’t expressive, if we just let ourselves be, we would disappear. We would disappear into the trees and into serenity. We would be quiet, and still, and we would not be spirits or souls or emotion, we would be ____________ .”  The Spirit waves at existence itself.

The Petal would then ask, “What does it mean to disappear, to you? Why is it so frightful?” The body might say, “Because I am a body and I am made to work! This is my purpose! Why would I be here if I didn’t have a purpose, a purpose directly relative to the ticking of time and the segmentation of creation!”

“I don’t know. Spirit, why is it so frightening for you, to embrace disappearance?” asks the Petal.

“I am everything. Therefore, I am always here. Therefore, I must be in correlation to the rest of existence, therefore I cannot shut up.”

“If you are everything”, says the Petal, “could you not also be nothing? If you are everything, the rocks, the stars, the transport, the city, the emotion, the food, the water, the blood, the life, the death – could you also be nothing, because you are everything? You disappear into the everything. You disappear into nothing.”

The Spirit would be angry at this. It would contest this idea and dispute the idea that everything is nothing. It would explain that everything is not nothing, and that “everything is something! And something is important!”

“But why is something important?” asks the Petal.

“Because that is what seems to be.” says the Spirit.

“Yes, there is a lot that is important,” the body might say. “We bodies know that. There is a complex system of importance and we do not favor death, we do not favor idleness, we do not favor non-progression. We favor movement towards realization! We favor movement towards production! Impetus! Incremental progression towards an X we have created! Goal setting and achievement! Achievement! Achievement!”

“Did you not set that task for yourself?” the Petal would ask fiercely.”Did the world tell you that it had meaning, or did you find that out for yourself?”

 

(The following is from Ram Dass’ audio tape on change and aging, called ‘Conscious Aging’, which I inherited with my ipod. I transcribed this while on the train also)

“At any rate I kept trying to get high all the time to get rid of all this trippiness. Cos it all seemed so finite. And, I felt something was wrong about the direction I was going. Cos everyone was kind of doing the same thing in the 60s and early seventies. Alan Watts, I remember, tried to remind me. He was a good friend and one night we had been tasting the altar wine at a Benedictine monastery, and it was about two in the morning and he said. “Dick, your problem is, you’re too attached to emptiness.” And it was true, because form seemed so entrapping to me. I really wanted to be empty.

“I kept hearing the messages in the spiritual teachings, ‘there’s nowhere to stand.’ But I kept refuting it in my mind, because I wanted to stand out there looking down. It was so safe. It was so free of any emotional pain. And a lot of people get high in order to get out of emotional pain. I mean you look up there and you’re standing up there and you’re seeing how everything’s perfect and beautiful and you see somebody fall down and you say “karma.” See, there’s no heart in it.

“Then I met another friend whose name was Emmanuel. He’s a spook. He’s a disembodied being, everybody has them these days, they’re no big deal. They’re a dime a dozen, actually. And the thing about disembodied beings is that they’re just like embodied beings. Some of them are smart and some of them aren’t. You can’t just figure that just because somebody doesn’t have a body, that it means they know anything, cos that’s the law. Somebody who was really caught in good and evil on this plane, they figure they’ll send back a message. So they send back, “Buy can tuna and move to Oregon” and everyone goes, Ooh! Yeah! Yeah! Yeah!

“I have friends who are supposedly very liberal who’ll say, ‘I’d like any of your friends you’ll introduce me to,’ and they’ll take any of my weird friends. ‘How do you do, nice to meet you.’ But when I tell them I have a friend who doesn’t have a body, even my most liberal friends, it’s amazing what prejudice lurks. They’ll say, I don’t know about that. It’s very far out. I mean, can you imagine being prejudiced about somebody just because they don’t have a body? So you can’t give up your intuitive. The reason I like Emmanuel is that he agrees with me. He tells it just how I understand it to be.

“So I said to Emmanuel, I talk to him through this woman, Pat Rodegas, I don’t talk to him directly, he’s not my spook, he’s Pat’s spook. I said to Emmanuel:

“What am I doing here? Who made this error? How did I end up on Earth? Why aren’t I divine? I know I’m divine.”

And he said, “Ram Dass, you’re in school. Why don’t you try taking the curriculum.” He said “Why don’t you try being human.”

“See I’d never thought of that. See I thought that was the error. I mean this is profound by the way. It sounds simple. Because, it’s slowly been dawning on me, over the past 8-10 years, that the game wasn’t to be high, the game was to be free. And that free meant that you couldn’t push anything away and you couldn’t grab at anything. There was nowhere to stand, and there was nowhere not to stand. And that whatever this incarnation, whatever level of reality this was, I had to inhabit it impeccably to be free within it. The freedom was gonna come through my incarnation, not in spite of it. That I was gonna have to learn to be, as Christ said, in the world but not of the world. That that all the things I pushed away I was gonna have to take the curriculum sooner or later. That turned around the direction of my life a lot. Because until that time, when I was busy trying to get enlightened, trying to get high, I really begrudged the price of living on the Earth. I begrudged. And I constantly saw that I wanted to push away all the experiences of life.

“It’s interesting when you want to get high; suffering is a real drag. And you want to avoid suffering as hard as you can. When you wanna be free, you begin to hear the teachings of the Buddha about the cause of suffering being the clinging of the mind. And when something creates suffering in you, you don’t go asking for it, unless you’re really advanced, I guess, but when the suffering comes down the pike, you don’t turn away from it, because you know that only reason you’re suffering is that it’s telling you something about the clinging of your own mind. And it’s being offered to you as a gift.

“This gets very weird, because it turns the whole game around. As Rumi says, at first when you begin to awaken you go towards water and away from fire. After you’re awakened, you go towards fire, and that brings you into the cooling quality of the water. And instead of going for pleasure you go for freedom. And it’s a very different style of life. And a lot of things that you’ve avoided because they brought you down. [Now] you see that the only thing that brings you down is your own mind. It’s not the city, the city is just city-ing itself. It’s being essence city, what are you getting so upset about? It’s your reaction to the city that’s doing it to you.

“And so, like the other night I was in Des Moines, Iowa, and I came into the hall and there were people in the hall waiting for me. And they said ‘there’s Ram Dass’. And I’m like a rented Ram Dass, I have no idea who I am and I don’t even care – I’m just an awareness, and I do what I gotta do. So, since I don’t know who I am, as people project into me, I become what their projection is a lot of the time. Somebody says, ‘Ram Dass,’ and I go ‘Yeees’ [very seriously] and somebody says ‘Hi Dick’ I go ‘Hi!’, See if you’re somebody and someone says ‘Hi Dick’ and you go ‘Yeeeees’ it doesn’t work.

“So I came into the hall and everybody was Ram Dass, and I was yehhs yehhs and I was smiling and ‘being Ram Dass’ and it’s a nice role. I’m not anybody, what difference does it make to me? I mean, I’m not not all those things. It’s not like I’m phony, see, it’s not like I’m being somebody else back in there. It’s not that. It’s just that it’s a form. We’re all in forms. We can’t meet unless we’re in forms. We don’t have to get lost in them. Who will we be this time? I’ll be serious. Okay, I’ll be light.”

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AVEC ELAN

élan |āˈlän; āˈlan| “a rousing march, played with great élan.”

Pronunciation: (ay-LAHN)

Meaning: (noun) A combination of energy, enthusiasm, and style.

Etymology: From French élan (enthusiasm), from élancer (to dart), from lancer (to throw), from Latin lancea (lance). Earliest documented use: 1880. (A.Word.A.Day.com)

While we were at the Norwood last night, Justin Bieber tweeted about this World Malaria Day video, which features a song by by husband’s band The Kin, called ‘Waking Up Shining.’ “Who’s Justin Bieber?” “Stoked.” “Thanks Beebs.” We had the idea that The Kin should do a cover of a Beebs song. The problem was, not one of us could come up with a Bieber song from memory… HMM.

I also met Duran Duran’s manager disguised as a US Customs and Border Control officer, whose jacket made me nervous, which was evidently the point. He told the story that he’d been given it after bestowing concert tickets upon a very grateful fellow. Twas truly an evening of great elan, a rousing march, which ended with too much dessert and sweet teaspoons.

I miss the bees and bluebirds by my window on the river. And, I miss making time to write Prince Henri… but, this weekend! It continues! Am considering posting a chapter on Paper Castle Press every so often… Just to tantalize the senses.  I’m also in the process of creating a book which I think you, dear readers of this blog, will thoroughly enjoy.

“Woman you’ve been so busy lately,

You haven’t had the time

To watch the world spinning

Slightly out of time.”

– SW

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BIG AND RAW: AN INTERVIEW

Fellow Perth native Tammi Ireland recently interviewed me for her blog for Perth’s Bella Hart Beauty Emporium beauty blog. On my last trip to Australia just a week ago, I didn’t have the chance to visit Perth, but I’m looking forward to that raw, rugged, wild, windswept style which permeates that old outpost of Western Australia. Read on for our exchange. Thank you Tammi for your kind words about my book! It is such a thrill to find that the work I did was worth my goal: To inspire others by sharing something golden I had come across. May we continue to come across much more that is gold here.

“Few times in a lifetime, you’ll read a piece of prose so poignant to your life at the time it will seem as though the author wrote it just for you. This is how I felt when reading Sophie Ward’s The Beginning of an Inexplicable Journey in France last year.  Her first book, I devoured every word, writing notes in pencil and underlining important sentences.  Sophie’s writing is honest and inspirational at the same time, much like her life, which saw her move from Perth to New York City as a model and writer, establish an independent publishing house and recently marry her soulmate.  When I think Sophie, I think big – big dreams, big achievements, big flavours.  Meet a part of her, here…”

Photo: Sebastian Mader

Sophie Ward, 26, Writer, Author and Publisher 

BH: Why write?

SW: It makes me feel alive, and it enlivens others. It is a gift that keeps on giving.

BH: What do you love about beauty in Perth?

SW: The rugged, raw, young, windswept style that lives through it.

BH: What’s the best advice you can give about getting back to your own roots?

SW: Relive old memories. A picture, a song, a food, it brings forgotten parts of your ever-evolving identity back into focus. For me, these could be lemon curd, Michael Nyman, white wicker chairs on afternoon verandahs…

BH: What one beauty product can you not live without?

SW: Jojoba oil

BH: You’re tired, slept through you alarm and late for a meeting.  How do you pep yourself up with makeup?

SW: Eyelash curlers! But usually if I’m late for a meeting, the meeting is more important…

BH: Describe your every day look:

SW: 1970s rock bohemian mixed with classic black New York utility, with some royal touches (velvet) to complete.

BH: What do you miss most about Perth?

SW: The ocean in summer.

BH: What is your ultimate holiday destination?

SW: A private island in the Great Barrier Reef.

BH: Favourite place to shop when you’re in Perth?

SW: Fremantle vintage.

BH: What tune do you wish to hear on every playlist?

SW: Paradise, by Coldplay.

BH: Your style in three words:

SW: Poetic, elegant, renegade.

BH: Celebrity style you most envy:

SW: Katherine Hepburn

Fast Five

• Beauty is… inside

• Love is… everywhere

• I want to… dance

• I feel strongly about… compassion

• Bella Hart is… beautiful!

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LOYALLY TATTOOED

A loyal reader of Paper Castle Press was recently inspired by our Salon on Evolution, and particularly the art of Sara Blake. This tattoo ensued!

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THE GRAVITY OF CHOICE

Well, we’re back! I have many different things to share, as is most usual. One thing at a time. The first is this short film I took part in creating with director Sebastian Mader. You may recall that we have worked together before, on a film called The Source. Each of the films we’ve made have featured poetry I’ve written, the spoken words of which I recorded in a studio near Grand Central Station, and a velveteen living room.

As a sequel to The Source, Sebastian and I set out to film The Gravity of Choice. This was no easy feat. In my minds eye, I saw pink hyper-colour trees, and myself running through them on fast forward, spirit white. I was also inspired by these images of Verushka.

The poem I wrote for this video was written with the understanding that all of life is completely miraculous; that there is a gravity in the choices we make; that we are the ‘dreamers of the dreams.’ Though our short film has been complete for almost a year now, I am sharing the final cut with you today since I find it quite a majestic journey, if a little scary at times (I don’t like scary movies!!) I won’t put (many) words in your mouth, and will let you make up your own mind, but let’s just say Close Encounters with a Samurai Geisha sums it up for me.

It’s always a privilege to work with talented, inspired and visionary creatives such as Sebastian, and his assistant Kaita, who both held such incredible space for me on the weekend that we shot this film. We dared to do it, and we did it! May you enjoy the journey, and hold on tight.

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ALWAYS AUSTRALIAN

WE ARE IN AUSTRALIA! This is the first time I have been on the homeland with my husband. Loving it. Diving back in.

“You are the sky. Everything else – it’s just the weather.”

– Pema Chodron

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EXTRASENSORY SALON: A REVIEW OF EVOLUTION

inaugural |inˈôg(y)ərəl| adjective [ attrib. ] marking the beginning of an institution, activity, or period of office : his inaugural concert as music director. 

It is my adventure and pleasure to deliver to you a summation on the inaugural salon my husband Isaac Koren and I co-hosted on the night of a full moon which fell on Friday the 9th of this month. We were joined by five co-hosts, including Kin member Thorald Koren and his partner Ashley Maher; CEO of The Illien Group and energizer bunny rival, Jayme IllienSpace Frontier Foundation Project Manager, Elizabeth Kennick; and Pure Project founder and zest-filled entrepreneur Ryan Fix. Each co-host dove deep into conversation with their table – tables full of extraordinary ordinary people up to exceptionally special things themselves.

Our hosts personned a table of bountiful beings – including friends, family, and perfect strangers – amongst what became a gathering of small dinner parties within a dinner party. Isaac’s vision was for the existence of multiple discourses on various thematic overtures of Evolution. The five tables explored such topics as (the evolution of) Self Expression, Business, Space Exploration, Growth, and Women. Here are some of the eggs that were hatched during each conversation: an I-spy, if you will, into each rectangular plateau of human meetings which took place in the den of West Village restaurant the Kingswood that extrasensory night.

ON THE EVOLUTION OF SELF-EXPRESSION, as told to Sophie Ward by Ashley Maher:

“The Salon was a truly amazing experience. We were very blessed to have such an open and inspiring group of people, and enjoyed an incredibly intimate and honest conversation about self expression. We talked of how we seem to live in an age of compartmentalized self expression. We say different things to family, friends, bosses, coworkers, strangers, and so on. We have different versions of ourselves and our expressions. We talked of how this stifles our self expression and makes us a constant judge of others and ourselves: We become ‘cut-and-paste’ people because of it.

“We shared some of the reasons why we hold back our self expression. I found it interesting to discover that we seem to hold back for mostly kind reasons: We don’t want to upset someone; we don’t want to challenge someone; or we maybe don’t want to be judged.  We talked of how we and others filter ourselves to make sure we look good and avoid looking bad.  This means we are constantly controlling our self expression.  So, even though we may hold back for what we think are good reasons – not hurting others or ourselves – we can see how that limits our chances at really deep and juicy relationships.”

“We then talked of expression itself.  How it seems to be more challenging to express positivity. Real happiness seams to have been forgotten to many.  Joseph Peter shared many inspiring words about his Happiness Project.  We talked of the possible affects on the world which each person could have… If we each chose to love instead of wrong, or forgive instead of blame, this world could be a happier place.”

“We talked of the beauty of an infant’s self expression. They are able to so easily cry one moment, and laugh the next. What freedom. We are so in our head, so busy with filtering our behaviors that we seem to have lost our ability to scream when we are scared, and to freely giggle straight after. [Thorald and I] shared about how great it feels to just scream it all out. And we did! A massive free group scream. And you know what, we all just naturally giggled after.”

“We were just letting it out, and then it was out.  It didn’t mean anything. It was just expressing a feeling. We tend to hold on to those things for fear of looking bad.”

“We ended the conversation with the notion of finding were we have been limiting our self expression, and talking about how great things happen when someone takes a risk.  Transformations are possible. Words are incredibly powerful and if no one is expressing them, nothing is being created. So we all left with one action that makes us go past our line of comfortability. A risk… I thank our table for their enthusiasm and their openness.”

Food for thought: If we have the opportunity to self express, what is this Self we are expressing? Is it a function of nature or nurture, or both? How did your Self dance into creation, and how is it expressing itself? Do you have many selves? Or just one? How do you share this Self with others, with the world? How do you hide it? How might you share it more in a safe and happy, healthy way?

ON THE EVOLUTION OF SPACE TRAVEL, as told to Sophie Ward by Elizabeth Kennick.

Elizabeth Kennick is the Project Manager for the Teachers in Space Program run by the Space Frontier Foundation (SFF) – a “space advocacy non-profit corporation organized to promote the interests of increased involvement of the private sector, in collaboration with government, in the exploration and development of space.”

Liz hosted an overflowing table on evolution and space, posing a fundamental question about the nature of human diaspora: “What drives humans to explore and to emigrate to new lands, even new planets?” Read on for her review of the night (…) as told to Paper Castle Press.

“John Ferrara of Consider the Source (CTS are a Sci-Fi/ Middle Eastern fusion band) spoke of growing up in New York City but spending summers with his family in the mountains. He saw the stars, and felt compelled to reach them. Isaac said The Kin want to be the first band to play in space, while John said CTS do. So now we have a space music race!  A Space Music Festival!”

“Talk turned to who is living in space now (the astronauts aboard the International Space Station), how far is space (60 miles), what other companies expect to fly soon (Virgin GalacticXcorMasten, and more) and what type of vehicles are they developing…”

Virgin’s SpaceShip 2 (SS2) will leave Earth under the belly of WhiteKnight, a duel-fuselage airplane which takes SS2 into the upper atmosphere where launch requires a lesser volume of less volatile fuel than would be required to launch from Earth.”

Xcor’s Lynx is more like a rocketplane, with room for just the pilot and one passenger.  Xcor’s test pilot, Rick Searfoss, is a former Space Shuttle astronaut and commander, who has been working with the Space Frontier Foundation’s Teachers in Space project (www.tis.spacefrontier.org) since 2011, teaching Suborbital Astronautics to high school teachers in our summer workshops, and taking them flying in his training glider.”

“For over 25 years, the Space Frontier Foundation has worked to open the Space Frontier to human settlement.  Our Teachers in Space project is providing professional development workshops in Space Technologies and Sciences for 250 teachers.  We have taught teachers to design, build and launch suborbital flight experiments.  Next, we will begin to fly these teachers into suborbital space and return them safely to their classrooms to inspire their students and communities to join the evolution of humanity towards becoming a multi-planetary species.”

If you are a high school teacher having landed at Paper Castle Press, you can apply for this summer’s FREE professional development workshop, produced by the Space Frontier Foundation and funded by NASA. SFF has room for 150 high school science, technology, engineering and math (STEM) teachers, who, if interested, should apply before the deadline on April 15th at www.tis.spacefrontier.org/apply.html

The Space Frontier Foundation is an organization of people dedicated to opening the Space Frontier to human settlement as rapidly as possible.Our goals include protecting the Earth’s fragile biosphere and creating a freer and more prosperous life for each generation by using the unlimited energy and material resources of space.Our purpose is to unleash the power of free enterprise and lead a united humanity permanently into the Solar System. – Space Frontier Foundation Credo

Food for thought: What sparks your curiosity about space? Is it that it is simply another frontier yet to be explored, ‘The Vast Unknown”? What is it about outer space that takes our senses for a ride and lights the flame of our pioneering romanticism? Science has it that space itself is very volatile, smells interesting, and may be populated by hostile life forms. Would you want to go to Space in your lifetime? Why?

ON THE EVOLUTION OF HUMAN GROWTH, as told to Sophie Ward by Ryan Fix

Ryan Fix is the founder of Pure Project, the mission of which is committed to “supporting a world of pure projects“ which “use creativity and innovation to advance a common good in the world,” each of which have “a ‘pure’ intention at their core [...] wrapped with a fully sustainable model, which includes environmental, social, cultural, and economic sustainability.” It was an honour to have a visionary like Ryan in the melting pot of the Salon. His table ventured into the territory of the evolution of human growth within community, a topic in which Ryan is intricately and passionately involved.

“Regarding our conversation on human growth at our table, I opened the discussion by presenting the idea that much of society, specifically Western society, is currently experiencing a profound shift in our perspective of growth, one that is moving inward.” 

“For centuries, growth has become more and more about the construction and accumulation of stuff on our planet.  This has lead to many current realities, namely a society that is less happy and a planetary condition that is beginning to react, more and more violently, to imbalances in our ecosystems.”

“As a function of all this, it seems more and more people are looking inward to find more joy.  This inward growth can be seen in the rise of yoga, self-help books, tools to help people share and connect more, fabulous dinner parties, and so on.”

“Once ‘the table was set,’ I opened the conversation for our table to discuss this fascination with growth: What was causing it? What are its effects? How do we perceive what’s happening now? People began sharing many personal stories, after which a common theme emerged. We discovered that compassion is critical to inward growth, and that compassion itself brings humanity closer together into harmony.”

I myself am very inspired by the capacity for human beings to experience compassion towards themselves, towards their own inner growth processes, and for this compassion to also radiate outwards, healing others amongst humanity.

Healing leads to harmony, for if we are wounded, we protect, defend, and feel anger in the face of the existence of hurt. The commitment to heal ourselves through inner work necessitates the practice of being compassionate, and this applies whether that work involves truly forgiving your mother, letting go of anger and frustration, allowing yourself to eat what you want, laying in shivasana, corpse pose, dancing the flamenco or boxing your worries into mulch.

Being compassionate to the ‘wounded’ areas of yourself, inner and outer, is the most crucial element in self care and self awareness. And, as my favourite yoga teacher, Bryan Kest, says, “How can I possibly take care of anything I don’t touch? [...]”  Harmony is accessed through a divine process which entails ”increasing awareness of the most important place on Earth – my Self.”

Food for thought: When you feel frustrated, angry, hurt or afraid, what do you do to navigate those emotions? Do you lash out at those around you? Do you surround yourself with positively charged imagery, positively charged scents, positively charged people, positively charged foods, positively charged dreams, positively charged actions? Do you have a harmonious relationship with yourself? What is harmony to you? Is harmony possible in an ever-changing landscape of existence?

ON THE EVOLUTION OF BUSINESS, as told to Sophie Ward by Jayme Illien

Jayme Illien is CEO of Illien Group Inc, a human development company “focused on leveraging new technology and ways of thinking in order to innovate around and disintermediate the structural, economic and informational asymmetries that separate people from opportunity and a higher standard of living.” Illien is also working tirelessly with our friend Joseph Peter on delivering his Happiness Project to the world.

“The evolution and future of business is set against the backdrop of a giant secular shift characterized by the confluence of several important events and trends. These include a decade long, still-evolving financial and economic crisis (economic compression), a global crisis in governance that encompasses politics, business, and culture; and a social and technology convergence revolution that has generated permanent alterations and opportunities that, all combined, every business must bring to the front of their future plan. This is creating opportunities for businesses and jobs, as well as political and governance ecosystems that were never before possible.”

“Traditional hierarchical models of governance based on top down structures – often determined by number of years of experience, as well as “career track” or “field,” are being replaced by more collaborative, open, cross disciplinary, and results-driven models, with special emphasis placed on a 21st century digital mindset and worldview. Simply put, the enhanced demands and capabilities of companies and people (partly stimulated by epic crises, and newly possible through ongoing and exponential technology convergences) have shifted the skill set needs of an increasingly digital, dynamic, restructuring and re-emerging global economy that will be adjusting for decades.”

“The fundamentally changing demands and capabilities of customers, businesses, and policy makers are enabling the type of innovation and rethinking – that which sincerely and permanently challenges the most rigorous of accepted and entrenched paradigms and business models – to create and unlock new value that has been previously inaccessible and in some ways, simply invisible, until now.”

“Companies that once defined themselves geographically are now running more virtually, saving millions, and able to access larger, more talented pools of human capital. They are able to engage customers directly in real-time on network level conversations; empowering a more accurate pulse on the evolving calculus of customer needs. By definition, they have an ability to more effectively imagine and create original products, services, and even markets that better serve a more informed, educated, consumer public, with greater leverage in the global market space.”

“Indeed, the enhanced ability to connect customers, employees, and all stakeholders in more advanced and expanded new digital ecosystems (virtually and globally) has profound implications for companies seeking to proactively build and manage their internal and external cultures around the envisioned future of their brand.”

“A democratization of access to information, capital, technology, education, knowledge, markets and relationships, is resulting in more decentralized decision making capabilities and norms, and a more entrepreneurial public. Moral hazard is being eroded as decision-making becomes more collaborative, transparent, individualized and decentralized. This is potentially the most important byproduct of the global technology convergence and the environment of crisis, which we will need to rethink and re-emerge from.”

“Acme Inc. is quickly evolving into John Smith Inc. and in the future, more individuals and fewer companies will become the central nervous system of any business, or political or cultural movement. Entrepreneurs will be able to learn and test ideas more quickly, receive immediate feedback on failure or success from the world, at a far lower cost, and far more favorable risk reward ratios, than previously possible.”

CEO’s will be younger and more intuitive, acquiring knowledge from greater sources and will be wired differently in the brain. They will be more entrepreneurial and inquisitive about the existing structures, systems and asymmetries that seem counterintuitive and don’t make sense, even to the everyday human – as opposed to learning from one single mentor and moving up through a system.”

“Natural leaders and visionaries will be capable of recognizing new patterns (as well as ‘bending and coding’ everyday reality differently) and will solve complex problems, innovate new markets, and launch “big ideas” from totally new platforms and angles never before possible. This all important evolution, which has created a fundamentally steeper tilt and permanent shift in the human potential curve, has game changing and far reaching implications for companies, people and international institutions taking on the challenge of reshaping and building a better world that more fully incorporates the exponentially expanding realities and capabilities of human development and imagination.”

Food for thought: How many entrepreneurs do you know? Are you one yourself? If we all became entrepreneurs, would the world be a more balanced place? Studies show that businesses and companies in which fun is incorporated into the day, such as ZapposGoogle, and Pixar, have higher employee satisfaction, which increases productivity and loyalty, among countless other beneficial qualities. How could you make working and playing dwell alongside, even become (gasp!) interwoven amongst each other?

ON THE EVOLUTION OF WOMEN, by Sophie Ward

As an ex-model and one who was deeply embedded in the beauty culture for many years, I experienced the lagging effects of beauty’s ‘shadow’ – an effect that incorporates not only pressure from the outside to look or be a certain way, but an internalization of that pressure which went right to the core. I struggled for many years with various forms of body dysmorphia, some of which evolved into forms of eating disorder.

Nevertheless, it was that very struggle which led me to explore my internal state and to release myself from it. Embarking on that path was, as with the exploration of any unchartered territory, a frightening, rewarding, adrenalized adventure. At times I wasn’t sure when the light at the end of the tunnel would arrive to release me from the vice grip I had put myself under with easy cooperation from the culture I grew up amongst, and actively participated within for my own gain.

As it happens, I have since met countless women who have ‘tasted’ this shadow of the beauty culture. It is embedded within the very mythology that we are told as young girls. The Cinderella myth, for example, would have us believe that we can rise from the ashes and cinders of an unfulfilling life by the surprise arrival of a Fairy Godmother who can grant her wishes. This external source provides Cinderella (with whom as a reader we are taught to side) with the means to go to the ball and to be seen as something we may not be, to dance with illusion and fantasy. That night, Cinderella wins the Prince because she is now ‘beautiful’ – that is, she looks the part, and has risen to an elite in which love, admiration, even revenge, are the prizes.

Later in the story, women all over town try to fit into a glass slipper after the spell that was woven – a fantasy disguise – has left Cinderella. This farce of women trying to fit into a fixed and set ideal, the glass slipper, is released when at wits end, someone suggests the cinder girl try on the slipper. Like an alien-looking model from a foreign country being chosen by the fashion industry to walk a Prada show (as my sister was) this ‘choosing’ skyrockets the previously outcast girl into the culture of the elite where she may live by new rules. This is the land she tasted for a night in disguise, the land she dreamed would elevate her from her disempowered, domesticated state.

Prada Fantasy Lookbook

This story brings up all kinds of questions and concerns about the culture of girl and woman that females are being raised in today. Little girls love Princesses, they love fairy tales – and yet, we still tell them stories from hundreds of years ago, a time when women experienced different rules and regulations, where to give a woman financial freedom was heresy – heaven forbid a wife had her own money, she would be emancipated from her husband. Oh, the terror! Women on the loose!

Today, we can afford a much broader freedom than the women of Hans Christian Anderson’s time, or the women of early last century.  This month’s TIME magazine ran a cover feature on the rising bank balances of the female population, and the ramifications this has for both men, and women, for those with and without families. I am fascinated by women, being one myself and understanding the new room we have to explore (with hips and lips!) the landscape of reality today. We still have a long way to go in many senses, but a huge conversation is occurring between women and about women, and I am proud to be part of that conversation.

During the salon, I initiated a discussion around my table about the evolution of women with three questions: What is your name, what do you do or love to do, and what do you love about being a woman? The answers to these questions were generous and courageous. I introduced myself as Sophie Ward, I said I am a writer, and that I love women’s capacity to love. Amongst everything we put ourselves through, we love. We walk a hundred miles, for love. I love the love of women. The tenderness, the sanctity, the power and joyousness of this love.

Collage by Jasmine Golestaneh

Jasmine Golestanah, a very talented artist and lead singer of the band Tempers expressed her admiration of female sexuality, and what she described as “the mysteriousness” of being a woman – the surprising nature of our emotions; how they shift and change like a rapid and forever altering landscape. I loved listening to her description of the witnessing of those emotions: “Oh, okay, now we’re feeling this. Alright, that’s interesting.” I felt this brought a wonderment to the table, that sense that women are a frontier all in themselves. Jasmine mentioned the volatility and chaos that also inhabit women, and that as natural creators indelibly linked to mother nature through the capacity to conceive and bear children, we also share her capacity to destroy.

Antonia Dunbar, Kundalini yoga teacher at Stanton Street Yoga and founder of Prance, “a women’s underwear manufacturing and distribution company” which “helps to address the worldwide problem of ineffective and environmentally unsustainable women’s products to manage their menstruation cycle.”

Antonia spoke of her respect for women in developing and developed countries, particularly their courage in the face of seemingly insurmountable odds and challenges.  ”In the third world, a woman’s menstrual cycle is considered her “week of shame”. Sanitary pads and tampons are not widely available and unsustainable, and women are subjected to missing school and work due to their inability to effectively manage their menstruation cycle. This has caused a substantially disempowered female population with fewer choices to better themselves and their communities.”

Radha Agrabar is the founder of Super Sprowtz, and incredibly inspiring children’s TV program  set to run before Sesame Street in the coming months in the US. The Super Sprowtz are essentially vegetable muppets, with super powers! Radha also co-owns Slice Pizza, a chain of organic pizza restaurants across New York City. Radha spoke of women as mothers, and how incredible women are with their children, how unstoppable and inspired they are.

A glass dress by artist Karen LaMonte

Erin Overbey was also with us, a wonderful woman who runs the Archives at The New Yorker and blogs for the online site. Erin shared with us her love of the humour in women, particularly in the face of very serious topics, such as the politics of allowing a woman to manage her own fertility. We were also joined by Oritte Bendory, who wrote The Virgin Wife, a novel inspired by her divorce – the process of which (divorcing) was very liberating. Oritte spoke about finding herself again and having time to feed her soul again.

Liberation and love can be found along any path. We all have our own journey, and the journey of women in today’s Age of Aquarius is very exciting. The road is still long and filled with obstacles, but as all of my table shared, women go to great lengths for the future.

We sat long into the evening discussing women’s friendships, women’s unity, and the importance of supporting women across the board – not just empowering and elevating women to go to ever higher heights, but also supporting them when they are at those heights. We realized how important it is right now for women to remember to support and love each other, not just to fight for personal wins and gender specific gains. The message is in the moment. I closed our discussion by reading Eve Enslers’ voraciously invigorating I am an Emotional Creature, which can be heard via Eve at the TED conference here online.

CONCLUSION

All in all, our first Salon was a great success, with the vision and context of the night fulfilled and multiplying within the gaps between us. Isaac and I were so proud to host such wonderful humans under the umbrella of evolution, to host a community within the context of discussing this topic and (one hopes, possibly) furthering the evolution of humanity as a whole. While we realize there is much work to be done throughout the world, where and how else could we have brought together change agents and tirelessly passionate activists for all manner of causes? New York City is a hotbed of creative dreamers and changers, workers and dancers, drivers and actors. They love to share, discuss, and motivate each other. We chose to donate a portion of the proceeds to The Hunger Project in Peru, where the areas of food security, indigenous women’s organizations, youth development and political and cultural advocacy are being thankfully empowered.

We love people, we love visions and visionaries, and we love bringing dreams into reality. I ask you to consider the question: How else do the things in existence grow into causation without conversation? Everything that exists in the world began with a conversation. Many of us around the world have privileged access to wonderful food and drink, music, people, and the poetry of living. I believe that bringing a community of human catalysts together to discuss the challenges and culture of evolution in society today, is a process which the sparks of thought and imagination generated have the potential to shift and alter ‘the way things are’ at a grass roots level. Which today, as Jayme Illien speaks about, is the way that much of our culture is being reorganized…

Our Salon will continue every month until we expand it globally and dine in many multicultural cities. I would like to encourage others to coordinate and organize their own communities into salons – to discuss what you are interested in, to discuss the possibilities of social change and evolution, and to push the envelope of  your dreams into being. The powers of language and community are undeniable. Fuel these with fine food and wine – even a potluck dinner if it serves you – and you have just read the evidence of what happens. The generation of radical new possibilities. It all begins with our words, our thoughts, our inspired actions.

Until next time,

Paper Castle Press.

 

 

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THE TIGHTROPE OF DREAMS

“The unfolding of the unexpected becomes the energy that drives you. You discover how thirsty you are for exploration without analysis. You feel strangely at home in a place you can’t define. You are truly creating.”

– Michell Lassou and Stewart Cubbley

“As we create the life of our dreams, we often reach a crossroads where the choices seem to involve the risk of facing the unknown versus the safety and comfort of all that we have come to trust. We may feel like a tightrope walker, carefully teetering along the narrow path to our goals, sometimes feeling that we are doing so without a net. Knowing we have some backup may help us work up the courage to take those first steps, until we are secure in knowing that we have the skills to work without one. But when we live our lives from a place of balance and trust in the universe, we may not see our source of support, but we can know that it is there.

“If we refuse to act only if we can see the safety net, we may be allowing the net to become a trap as it creates a barrier between us and the freedom to pursue our goals. Change is inherent in life, so even what we have learned to trust can surprise us at any moment. Remove fear from the equation and then, without even wondering what is going on below, we can devote our full attention to the dream that awaits us.

“We attract support into our lives when we are willing to make those first tentative steps, trusting that the universe will provide exactly what we need. In that process we can decide that whatever comes from our actions is only for our highest and best experience of growth. It may come in the form of a soft landing, an unexpected rescue or an eye-opening experience gleaned only from the process of falling. So rather than allowing our lives to be dictated by fear of the unknown, or trying to avoid falling, we can appreciate that sometimes we experience life fully when we are willing to trust and fall. And in doing so, we may just find that we have the wings to fly.

“When we believe that there is a reason for everything, we are stepping out with the safety net of the universe, and we know we will make the best from whatever comes our way.”  (via DailyOm)

I can thoroughly attest to this being true. In fact, I have been working late on a fraternal book to The Beginning of an Inexplicable Journey which explores this very topic, or what I like to call The Art of Invocation: ”a conversation of intuitions.” Having witnessed my personal dreams come true after retiring as general manager of the universe, letting go, feeling my way forwards and after trying, trying and trying again, I am confident that there is an incredible force in the universe that thrives on the energy of our visions and propels them forward with personally inspired action.

Perhaps it is simple neuroscience, perhaps it is neutrinos (“the most ridiculous particle you could imagine”) perhaps it is a God, perhaps it is me, and perhaps, as I suspect, it is all of these things, which are in the end, only words for different processes of shifting life. Still, there are mysteries that even scientists cannot describe with words. I will do my best to share what I have learnt in this lifetime, for my life is priceless to me, as I know yours is to you. Love is one of the most healing and incredible forces, and my experience of invoking it is something I feel powerfully called to share. But now to another perhaps similar mystery…

“A neutrino is the most ridiculous particle you can imagine. A billion neutrinos went through my nose as we were talking. A trillion went through my nose just now. And they did nothing to me. They pass through all of the matter around us continuously in a huge, huge blast that does nothing at all.

“They almost exist in a separate universe. But we know as physicists that we can measure them, we can make precision predictions, but we can’t get our hands on them, because they seem to just exist in another place. Yet, without neutrinos, the beginning of the universe wouldn’t have worked. We wouldn’t have the matter that we have today because you couldn’t create the elements without the neutrinos. In the very very earliest few seconds of the Big Bang, the neutrinos were the dominant particle. And they actually determined much of the kinetics of the production of the elements we know. So, the universe can’t exist the way it is without the neutrinos, but they seem to be in their own separate universe. And we’re trying to actually make contact with that otherworldly universe of neutrinos.

“And, as a physicist, even though I understand it mathematically, and I understand it intellectually, it still hits me in the gut. That there’s something here surrounding me, almost like some kind of spirit or God, that I can’t touch and… but I can measure it. I can make a measurement. It’s like measuring the spirit world or something like that. You can go out and touch these things,” – Doctor Gorham of the University of Hawaii, Physicist and leader of the Neutrino Experiment in Werner Herzog’s documentary “Encounters At The End of the World.”

The Neutrino Project is very exciting, and I adore Doctor Gorham’s entheos for the discoveries he aims to make and is making. While I watched this last night under the eaves of my home beneath a starry sky in the Northern Hemisphere, I became amazed by our ability as human beings – just another life form on this whirling planet – to use an evocative language with which to describe the most complex and fascinating processes observed upon this Earth. How is it that Gorham, using a few words like ‘kinetic’ ‘production’ ‘elements’ and ‘neutrinos’ – can describe a complex and very distant process, the genesis of life itself, which I understand through another complex process of sound waves hitting my ear drums, connecting to my synapses and forming a mental map?  This is the beauty of storytelling, of language, of technology, of the human brain.

“There is a beautiful saying by an American philosopher Alan Watts, and he used to say that through our eyes, the universe is perceiving itself, and through our ears the Universe is listening to it’s cosmic harmonies. And we are the witness through which the universe becomes conscious of its glory, of its magnificence.” – ibid.

Come to the edge, he said
No, we’re afraid, they said
Come to the edge, he said
No, we’re afraid
Come to the edge, he said
So they came
And he pushed them
And they flew.
 – Guillaume Apollinaire
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WHERE DO I FIND YOUR BOOK?

For all those who have been wondering where to pick up a copy of Sophie Ward’s book, or who for unforseen reasons have trouble with PayPal and our ordering service, we have news! The books are hitting the road again. New stock of The Beginning of an Inexplicable Journey will be arriving by the end of this week at both BookMarc in the West Village of New York (400 Bleecker Street) and Planet Books (646 Beaufort Street) in Mt Lawley, Perth, Western Australia. It seems the journey naturally likes the Wild West!

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